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Lauren Halsey

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Georg Baselitz, "Anxiety I (Korzhev)," 1999, oil and charcoal on canvas, 250 × 200 cm; Private collection, photo by Jochen Littkemann, Berlin, © Georg Baselitz, 2021.
Georg Baselitz, "Oberon (1st Orthodox Salon 64 – E. Neizvestny)]," 1963-1964, oil on canvas, 250 × 200 cm; Städel Museum, Francfort-sur-le-Main, Acquired in 2010 thanks to a donation from Dorette Hildebrand-Staab, Photo © Städel Museum – ARTOTHEK, © Georg Baselitz, 2021.
Georg Baselitz, "Wagon-lit mit Eisenbett [Sleeping Car with Iron Bed]," 2019, oil on canvas, 300 × 450 cm; Centre Pompidou, Musée national d’art moderne, Paris; photo by Jochen Littkemann, Berlin, Gift of the artist, 2021 © Georg Baselitz, 2021.
Georg Baselitz, "Die Peitschenfrau [The Woman with the Whip]," 1964-1965, Oil on canvas, 162 × 130 cm; Museum Ludwig, Cologne Don de la collection Ludwig, 1976, photo © Rheinisches Bildarchiv Köln, © Georg Baselitz, 2021.
Paris, 4th arrondissement

Baselitz — The retrospective

The first all-encompassing exhibition of the German artist Georg Baselitz, the Centre Georges Pompidou’s “Baselitz — The retrospective” gives a chronological look at 60 years of artwork.

October 20, 2021 - March 7, 2022

The first all-encompassing exhibition of the German artist Georg Baselitz, the Centre Georges Pompidou’s “Baselitz — The retrospective” gives a chronological look at 60 years of artwork. Starting with his early work in the 1960s, visitors will find explorations of aspects of Baselitz’s practice like key periods of creation, exploration of techniques, and his extensive look at art history and the work of other artists, which often influenced his own practice. On view through March 7, 2022, artworks to look out for include those like the 1981 Die Mädchen von Olmo II [The Girls of Olmo II], Ralf III from 1965, and the sculptural ash wood Dresdner Frauen – Die Elbe [Women of Dresden –The Elbe] from 1990.

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Place Georges-Pompidou, 75004 Paris, France
Oct 20 - Mar 7
Centre Georges Pompidou
Baselitz — The retrospective
The first all-encompassing exhibition of the German artist Georg Baselitz, the Centre Georges Pompidou’s “Baselitz — The retrospective” gives a chronological look at 60 years of artwork.

Exhibitions

Paris, 3rd arrondissement |Exhibitions

Beaten Ink, Upset Brick, Downcast Charcoal

Matias Faldbakken’s debut solo show at Galerie Chantal Crousel features a series of installations following the artist's use of opposing elements.

Hugh Steers, Blue Towel, Red Tank

Russell Tovey has curated the exhibition "Hugh Steers: Blue Towel, Red Tank,” part David Zwirner's “More Life” series, surrounding the HIV/AIDS crisis.

Emily Mae Smith: Harvesters

Emily Mae Smith's "Harvesters" follows her chosen muse, a straw broom, in scenarios suggestive of styles and artworks of historic origins.

Anni et Josef Albers

This retrospective of Anni and Josef Albers looks at both their relationship as a couple and their respective artistic endeavors through a selection of over 350 works.

Anne Imhof: Natures Mortes Performance

Anne Imhof will be activating her exhibition "Natures Mortes" with a special program of performances through October 24.

Thierry Mugler, Couturissime

"Thierry Mugler, Couturissime" spans archival material dating between 1973—2014, looking at Mugler’s work across ready-to-wear, haute couture, and perfume.

Georg Baselitz – New Drawings

Coinciding with the Centre Georges Pompidou’s major retrospective of Georg Baselitz, Thaddaeus Ropac is debuting an exhibition of the artist’s new drawings.

Harold Ancart: La Grande Profondeur

Harold Ancart’s exhibition “La Grande Profondeur” features new sculptural works referencing the entity of a swimming pool and pondering the differences in shallow versus deep.

Calder: 1975 and Flying Dragon

Gagosian is inaugurating its new rue de Castiglione space with an exhibition of the artist Alexander Calder, coinciding with FIAC.

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