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The whimsical chaos that comes with the season of cherry tree blooms is captured in Damien Hirst’s first-ever museum exhibition in France, “Cherry Blossoms.”
July 6, 2021 - January 2, 2022
The whimsical chaos that comes with the season of cherry tree blooms is captured in Damien Hirst’s first-ever museum exhibition in France, “Cherry Blossoms.” On view through January 2, 2022 at Fondation Cartier, the artist considered the flower as a representation of beauty and life and death before taking to canvases of monumental size to litter them in dense clusters of bright pinks and greens. The series totals 107 canvases that were three years in the making, and the product of an evolution which began with works inspired by Abstract Expressionism, like Hirst’s 1986 Spot Paintings.
Emily Mae Smith's "Harvesters" follows her chosen muse, a straw broom, in scenarios suggestive of styles and artworks of historic origins.
This retrospective of Anni and Josef Albers looks at both their relationship as a couple and their respective artistic endeavors through a selection of over 350 works.
Anne Imhof will be activating her exhibition "Natures Mortes" with a special program of performances through October 24.
"Thierry Mugler, Couturissime" spans archival material dating between 1973—2014, looking at Mugler’s work across ready-to-wear, haute couture, and perfume.
Coinciding with the Centre Georges Pompidou’s major retrospective of Georg Baselitz, Thaddaeus Ropac is debuting an exhibition of the artist’s new drawings.
Harold Ancart’s exhibition “La Grande Profondeur” features new sculptural works referencing the entity of a swimming pool and pondering the differences in shallow versus deep.
Gagosian is inaugurating its new rue de Castiglione space with an exhibition of the artist Alexander Calder, coinciding with FIAC.
On the occasion of the bicentenary death of Napoleon Bonaparte, the Monnaie de Paris has presented “Napoleon I - For the Best and for the Empire.”