Go inside the worlds of art, fashion, design, and lifestyle.
Emily Mae Smith's "Harvesters" follows her chosen muse, a straw broom, in scenarios suggestive of styles and artworks of historic origins.
October 16, 2021 - December 18, 2021
Choosing the unexpected form of a straw broom as her muse, Emily Mae Smith has suggested in her artworks the figure of a woman, captured in symbolic scenarios presenting ideas of still life, mythology, and portraiture by Belle Epoque masters. In her exhibition “Harvesters” at Perrotin—on view through December 18—Smith’s effeminate broom takes on new forms like a remake of Jules-Joseph Lefebvre’s La Vérité in The Grotto and the title work Harvesters, where she is seen lounging in a wheat field.
Matias Faldbakken’s debut solo show at Galerie Chantal Crousel features a series of installations following the artist's use of opposing elements.
Russell Tovey has curated the exhibition "Hugh Steers: Blue Towel, Red Tank,” part David Zwirner's “More Life” series, surrounding the HIV/AIDS crisis.
The first all-encompassing exhibition of the German artist Georg Baselitz, the Centre Georges Pompidou’s “Baselitz — The retrospective” gives a chronological look at 60 years of artwork.
This retrospective of Anni and Josef Albers looks at both their relationship as a couple and their respective artistic endeavors through a selection of over 350 works.
Anne Imhof will be activating her exhibition "Natures Mortes" with a special program of performances through October 24.
"Thierry Mugler, Couturissime" spans archival material dating between 1973—2014, looking at Mugler’s work across ready-to-wear, haute couture, and perfume.
Coinciding with the Centre Georges Pompidou’s major retrospective of Georg Baselitz, Thaddaeus Ropac is debuting an exhibition of the artist’s new drawings.
Harold Ancart’s exhibition “La Grande Profondeur” features new sculptural works referencing the entity of a swimming pool and pondering the differences in shallow versus deep.