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Galerie Perrotin presents Gabriel Rico’s latest solo exhibition “Nature Loves to Hide.”
13 works are installed, including three large installations, two wall installations, seven sculptures and a mural filled with objects covering the wall. Altogether, these works create an experience of delirium and dialectic tension. The synthesis of objects doesn’t imply conventional representation but simply their material presence. “What draws me to certain objects is my relationship to them and the meaning they acquire when I change their context and utilize them in a new situation, a situation outside their logic of use,” said the artist.
Damien Hirst’s “Cathedrals Built on Sand” is a visually playful installation posing questions on the morality of the commodification of healthcare and society’s faith in drugs.
"Women in Abstraction" highlights the work of more than 106 artists dating from the 1860s until the 1980s.
AFIKARIS Gallery’s “Figures of Power” is a joint exhibition of the Senegalese artist Ousmane Niang and Nigerian artist John Madu.
For "Surface Horizon," Jean-Marie Appriou and Marguerite Humeau have created an all-encompassing installation that stretches from the façade to the courtyard and across all of Lafayette Anticipations’ exhibition spaces.
The whimsical chaos that comes with the season of cherry tree blooms is captured in Damien Hirst’s first-ever museum exhibition in France, “Cherry Blossoms.”
Giving carte blanche over the Palais de Tokyo to Anne Imhof, “Natures Mortes” sees the entirety of the institution filled with a group presentation of the artist's conception.
Perrotin’s Paris gallery at 76 rue de Turenne is presenting ”Hartung 80,” an exhibition of the artist Hans Hartung, spread across seven sectors looking at form and technique.
Cameroonian artist Jean David Nkot’s first solo exhibition, “Human@Condition,” is on view at AFIKARIS Gallery in Paris through July 7.