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“Un tout de différences” is a collection of new work by Niele Torini, on view at the Galerie Marian Goodman. Viewers will find imprints of No. 50 brush repeated at regular intervals of 30cm, following the working method the artist defined in 1966. The show offers a dialogue between works of different dimensions and on various mediums, such as canvas and foam board. In one of his new works, the artist creates a mise-en-abyme, by covering photographs of past exhibitions with the imprints. These new collages on foam board evoke Torini’s past but above all refer to the present, renewing our visual experience of No. 50. Torini’s artistic practice presents a subversive and radical vision of the act of painting where he affirms that painting is the result of work and stands for what is given to see.
Matias Faldbakken’s debut solo show at Galerie Chantal Crousel features a series of installations following the artist's use of opposing elements.
Russell Tovey has curated the exhibition "Hugh Steers: Blue Towel, Red Tank,” part David Zwirner's “More Life” series, surrounding the HIV/AIDS crisis.
The first all-encompassing exhibition of the German artist Georg Baselitz, the Centre Georges Pompidou’s “Baselitz — The retrospective” gives a chronological look at 60 years of artwork.
Emily Mae Smith's "Harvesters" follows her chosen muse, a straw broom, in scenarios suggestive of styles and artworks of historic origins.
This retrospective of Anni and Josef Albers looks at both their relationship as a couple and their respective artistic endeavors through a selection of over 350 works.
Anne Imhof will be activating her exhibition "Natures Mortes" with a special program of performances through October 24.
"Thierry Mugler, Couturissime" spans archival material dating between 1973—2014, looking at Mugler’s work across ready-to-wear, haute couture, and perfume.
Coinciding with the Centre Georges Pompidou’s major retrospective of Georg Baselitz, Thaddaeus Ropac is debuting an exhibition of the artist’s new drawings.