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"Future Histories" at SFMOMA is on view through May 23. Centered around archival photographs from lifestyle magazines and video projections that offer new perspectives on the past, the show presents works—like Do you hear me calling? Mama Mamama or What Is Black Power? by Theaster Gates and —that pay homage to the power of women and the Black experience through three decades of reworked images from magazines like Ebony and Jet. Other works in the show—like Cauleen Smith’s Sojourner—is revealed through a feminist reimagining of an unpublished image from a Life assignment in 1966. These pieces, among others, examine site-based research and collaborative performance to activate and transform space.
Hayal Pozanti’s “Lingering” is the artist’s response to worries surrounding artificial intelligence and digital media.
A sound installation commissioned by the San Francisco Museum of Modern Art, Wu Tsang's new work is on view through June 2022.
Titled for the 1973 album by Cher, Martine Gutierrez’s “Half-Breed” features photographs from three of the artist’s series.
In Troy Lamarr Chew II’s “The Roof is on Fire,” features a suite of new paintings completed using augmented reality enhancements.
Amoako Boafo’s premier solo museum presentation “Soul of Black Folks” features more than 20 works from the last four years.
The artist’s second exhibition with Rebecca Camacho Presents, Sahar Khoury’s “Orchard” features a suite of new sculptural works.
Meghann Riepenhoff’s “Ice” is an exhibition of new and recent camera-less cyanotypes, which she created within a series of landscapes.
The first West Coast presentation of “Patrick Kelly: Runway of Love” highlights the career of the Black fashion designer.