Newsletter
Go inside the worlds of art, fashion, design, and lifestyle.
"Future Histories" at SFMOMA is on view through May 23. Centered around archival photographs from lifestyle magazines and video projections that offer new perspectives on the past, the show presents works—like Do you hear me calling? Mama Mamama or What Is Black Power? by Theaster Gates and —that pay homage to the power of women and the Black experience through three decades of reworked images from magazines like Ebony and Jet. Other works in the show—like Cauleen Smith’s Sojourner—is revealed through a feminist reimagining of an unpublished image from a Life assignment in 1966. These pieces, among others, examine site-based research and collaborative performance to activate and transform space.
The Institute of Contemporary Art San Francisco presents a new exhibition, “Resting Our Eyes,” showcasing the works of 20 multi-generational and multidisciplinary Black artists.
On October 1, 2022, multimedia artist Jeffrey Gibson debuted the exhibition “This Burning World" at the Institute of Contemporary Art San Francisco.
Museum of African Diaspora presents “The New Black Vanguard: Photography between Art and Fashion,” currently on view through March 5.
Museum of the African Diaspora presents an exhibition by artist Ashely A. Ross titled “10/17/03.”
San Francisco Museum of Modern Art presents “Corporeal,” a dynamic exhibition of sculptures that explore the human figure.
Jessica Silverman presents the solo exhibition “Pae White: Slow Winter Sun,” currently on view through February 25.
Jessica Silverman presents “David Huffman: Odyssey,” an exhibition of works from 2004 to 2009, currently on view through February 25.
Haines Gallery presents “Mike Henderson: Chicken Fingers, 1976-1980” in a special solo show of rarely seen early abstract paintings.
Lhola Amira’s “Facing the Future” is the artist’s first U.S. solo exhibition, comprised of new and recent works pertaining to ancestral connections.
Go inside the worlds of art, fashion, design, and lifestyle.