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Meghann Riepenhoff’s “Ice” is an exhibition of new and recent camera-less cyanotypes, which she created within a series of landscapes.
November 16, 2021 - January 29, 2022
Meghann Riepenhoff’s “Ice” is an exhibition of the artist’s new and recent camera-less cyanotypes, which she created in collaboration with her chosen muse—a series of landscapes. Open at Haines Gallery through January 29, the works on view capture winter topography from Colorado, Washington, and Wisconsin, made by coating paper in a homemade emulsion and placing them directly into the earth. The photographic chemicals then transfer the surfaces of the natural world onto her papers, capturing them in unexpected color and details—seen in works like Ice #64 (18-29℉, Big Creek, WA 03.09.20), which formed over a three-day period of freezing and thawing in the ground.
Hayal Pozanti’s “Lingering” is the artist’s response to worries surrounding artificial intelligence and digital media.
A sound installation commissioned by the San Francisco Museum of Modern Art, Wu Tsang's new work is on view through June 2022.
Titled for the 1973 album by Cher, Martine Gutierrez’s “Half-Breed” features photographs from three of the artist’s series.
In Troy Lamarr Chew II’s “The Roof is on Fire,” features a suite of new paintings completed using augmented reality enhancements.
Amoako Boafo’s premier solo museum presentation “Soul of Black Folks” features more than 20 works from the last four years.
The artist’s second exhibition with Rebecca Camacho Presents, Sahar Khoury’s “Orchard” features a suite of new sculptural works.
The first West Coast presentation of “Patrick Kelly: Runway of Love” highlights the career of the Black fashion designer.
"Joan Mitchell" is on view through January 17, 2022 at SFMOMA.