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Abraham Cruzvillegas
Abraham Cruzvillegas, "Autocontusión," 2016, photo by Zachary Balber, courtesy of The Bass.

“The Willfulness of Objects”

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Featuring a series of works from The Bass’s collection, “The Willfulness of Objects” was named for Abraham Cruzvillegas’s essay of the same name, in which the author reminds us that everything, even a manmade object, is alive and subject to evolution. Including names like Mika Rottenberg, Danh Vō, Paola Pivi, Xaviera Simmons, and Allora & Calzadilla, the works have been made largely from familiar, found, and existing items (like freezers, potatoes, gas pumps, and pearls) and invite viewers to consider the changing nature of objects, their meaning, and what they might leave behind.

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The collection of Judy Glickman Lauder at the Norton Museum of Art lends itself to a sweeping narrative of 20th-century photography.
In Green’s debut solo show at AND NOW, viewers will be taken on a journey through the subconscious.
Marian Goodman presents “The Other Side,” an exhibition of photographs by Nan Goldin at the Paris bookshop.

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