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NADA New York 2022

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Go inside the worlds of art, fashion, design, and lifestyle.

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Alexandra Pirici, "Aggregate," 2017–2019, photo by Andrei Dinu, courtesy of the Artist, © Alexandra Pirici.
Birgit Jürgenssen, "Missing Limbs," 1974, Photo Pixelstorm, VERBUND COLLECTION, Vienna, courtesy of The Estate Birgit Jürgenssen, Vienna.
Cecilia Vicuña, "Leoparda de Ojitos," 1977, Collection Beth Rudin DeWoody, courtesy of the Artist; Lehmann Maupin, New York, Hong Kong, Seoul, and London. ©️ 2022, Cecilia Vicuña.
Kiki Kogelnik, "Robots," 1966, Kiki Kogelnik Foundation Collection, © 1966 Kiki Kogelnik Foundation, all rights reserved.
Loïs Mailou Jones, "Africa," 1935, The Johnson Collection, Spartanburg, South Carolina.
Noah Davis, "Isis," 2009, courtesy of The Estate of Noah Davis; David Zwirner. © The Estate of Noah Davis.
Venice, Castello

59th Venice Biennale: The Milk of Dreams

The 59th International Art Exhibition of La Biennale di Venezia opens this week for previews after a year of postponement due to the COVID-19 pandemic.

April 23, 2022 - November 27, 2022

The 59th International Art Exhibition of La Biennale di Venezia opens this week for previews after a year of postponement due to the COVID-19 pandemic. Open to the public April 23 and curated by Cecilia Alemani, this year’s iteration is on view at the Giardini and the Arsenale until November 27, welcoming work by 213 artists from 58 countries under the title “The Milk of Dreams.”

“During these endless months in front of the screen, I have pondered the question of what role the International Art Exhibition should play at this historical juncture, and the simplest, most sincere answer I could find is that the Biennale sums up all the things we have so sorely missed in the last two years: the freedom to meet people from all over the world, the possibility of travel, the joy of spending time together, the practice of difference, translation, incomprehension, and communion,” said Alemani. “The Milk of Dreams is not an exhibition about the pandemic, but it inevitably registers the upheavals of our era. In times like this, as the history of La Biennale di Venezia clearly shows, art and artists can help us imagine new modes of coexistence and infinite new possibilities of transformation.”

Named after Leonora Carrington’s book of the same name, wherein the artist’s surrealist lens whimsically reimagines the world in which we live, the show poses questions on the definition of “human,” our responsibilities to our planet, and what the world would look like without us. A historical narrative built from past artworks, documents, objects, and borrowed acquisitions gives context to viewers in smaller time capsules located throughout the grounds, surrounding Alemani’s concept, which focuses on three thematic sections: the relationship between individuals and technology, connections between bodies and the Earth, and representations of bodies and their metamorphoses. 

Taking visitors on an artistic journey through a format conceived by Formafantasma, the presentation features new works and projects conceived especially for the biennial, created by a roster that marks the exhibition’s first majority of women and gender non-conforming artists—including the debut of the first-time participating countries, the Republic of Cameroon, Namibia, Nepal, Sultanate of Oman, and Uganda. Branching across the Giardini’s Central Pavilion, the Corderie, Artiglierie, and the surrounding outdoor spaces, Alemani’s concept includes works from creatives like Augusta SavageCarol Rama, and Loïs Mailou Jones, looking at the shifting of anatomies in response for transformation and emancipation; visual and concrete poetry from Giovanna SandriMary Ellen Solt, and Tomaso Binga; the signs and symbols of names like Brownyn Katz and Sable Elyse Smith alongside Charlotte Johannesson’s machine-code-informed art; and Belkis Ayón’s imaginings of a matriarchal society, just to name a few. 

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Campo de la Tana, 2161, 30122 Venezia VE, Italy
Apr 23 - Nov 27
Arsenale della Biennale di Venezia
59th Venice Biennale: The Milk of Dreams
The 59th International Art Exhibition of La Biennale di Venezia opens this week for previews after a year of postponement due to the COVID-19 pandemic.

Exhibitions

Venice, Castello |Exhibitions

Vladimir Nikolic: Walking with Water, Serbia Pavilion

The Ministry of Culture and Media of the Republic of Serbia presents Walking with Water, a solo exhibition of Vladimir Nikolic at the Serbia Pavilion.

Invitation of the Soft Machine and Her Angry Body Parts, Austria Pavilion

Jakob Lena Knebl and Ashley Hans Scheirl will represent the Austria Pavilion at the 59th Venice Biennale.

Maria Eichhorn: Relocating a Structure, Germany Pavilion

Artist Maria Eichhorn represents the Germany Pavilion at the 59th International Art Exhibition - La Biennale di Venezia through November 27.

Arcangelo Sassolino, Giuseppe Schembri Bonaci, Brian Schembri: Cunning diplomacy, Malta Pavilion

Artists Arcangelo Sassolino, Giuseppe Schembri Bonaci and Brian Schembri represent​ the Malta Pavilion at the 59th International Art Exhibition - La Biennale di Venezia through November 27.

Sonia Boyce: Feeling Her Way, Great Britain Pavilion

Artist Sonia Boyce represents the Great Britain Pavilion at the 59th International Art Exhibition - La Biennale di Venezia through November 27.

Acaye Kerunen and Collin Sekajugo: Radiance – They Dream in Time, Uganda Pavilion 

Artists Acaye Kerunen and Collin Sekajugo represent Uganda’s inaugural pavilion at the 59th International Art Exhibition - La Biennale di Venezia through November 27.

Zineb Sedira: Dreams have no titles, France Pavilion

Artist Zineb Sedira represents France at the 59th International Art Exhibition - La Biennale di Venezia through November 27.

Rachel Lee Hovnanian: Angels Listening

CSDCA presents "Angels Listening," an intimate and immersive exhibition of the works of Rachel Lee Hovnanian curated by Annalisa Bugliani.

Malgorzata Mirga-Tas: Re-enchanting the world, Poland Pavilion

For the first time in the over-120-year history of the Venice Biennale, a Roma artist, Małgorzata Mirga-Tas, is representing a national pavilion.

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