Menu

  • Art
  • Lifestyle
  • Fashion
  • Design
  • Sustainability
  • Homepage
  • Whitewall Presents
  • Whitewaller
  • Insiders

Subscribe to the Newsletter

Subscribe to the Magazine
TOD_S ARIA D_ITALIA_BOOK COVER

Presents

TOD_S ARIA D_ITALIA_BOOK COVER
Wolfgang Tillmans

San Francisco

FOG Design+Art 2023
Wolfgang Tillmans
Maria SharapovaMaria Sharapova

Newsletter

Go inside the worlds of art, fashion, design, and lifestyle.

Ok
Installation view of Edoardo Tresoldi’s “Monumento,” photo by Roberto Conte, courtesy of Procuratie Vecchie Venezia.Installation view of Edoardo Tresoldi’s “Monumento,” photo by Roberto Conte, courtesy of Procuratie Vecchie Venezia.
Installation view of Edoardo Tresoldi’s “Monumento,” photo by Roberto Conte, courtesy of Procuratie Vecchie Venezia.
Installation view of Edoardo Tresoldi’s “Monumento,” photo by Roberto Conte, courtesy of Procuratie Vecchie Venezia.Installation view of Edoardo Tresoldi’s “Monumento,” photo by Roberto Conte, courtesy of Procuratie Vecchie Venezia.
Installation view of Edoardo Tresoldi’s “Monumento,” photo by Roberto Conte, courtesy of Procuratie Vecchie Venezia.
Installation view of Edoardo Tresoldi’s “Monumento,” photo by Roberto Conte, courtesy of Procuratie Vecchie Venezia.Installation view of Edoardo Tresoldi’s “Monumento,” photo by Roberto Conte, courtesy of Procuratie Vecchie Venezia.
Installation view of Edoardo Tresoldi’s “Monumento,” photo by Roberto Conte, courtesy of Procuratie Vecchie Venezia.
Installation view of Edoardo Tresoldi’s “Monumento,” photo by Roberto Conte, courtesy of Procuratie Vecchie Venezia.Installation view of Edoardo Tresoldi’s “Monumento,” photo by Roberto Conte, courtesy of Procuratie Vecchie Venezia.
Installation view of Edoardo Tresoldi’s “Monumento,” photo by Roberto Conte, courtesy of Procuratie Vecchie Venezia.
Installation view of Edoardo Tresoldi’s “Monumento,” photo by Roberto Conte, courtesy of Procuratie Vecchie Venezia.Installation view of Edoardo Tresoldi’s “Monumento,” photo by Roberto Conte, courtesy of Procuratie Vecchie Venezia.
Installation view of Edoardo Tresoldi’s “Monumento,” photo by Roberto Conte, courtesy of Procuratie Vecchie Venezia.
Installation view of Edoardo Tresoldi’s “Monumento,” photo by Roberto Conte, courtesy of Procuratie Vecchie Venezia.Installation view of Edoardo Tresoldi’s “Monumento,” photo by Roberto Conte, courtesy of Procuratie Vecchie Venezia.
Installation view of Edoardo Tresoldi’s “Monumento,” photo by Roberto Conte, courtesy of Procuratie Vecchie Venezia.Installation view of Edoardo Tresoldi’s “Monumento,” photo by Roberto Conte, courtesy of Procuratie Vecchie Venezia.
Installation view of Edoardo Tresoldi’s “Monumento,” photo by Roberto Conte, courtesy of Procuratie Vecchie Venezia.Installation view of Edoardo Tresoldi’s “Monumento,” photo by Roberto Conte, courtesy of Procuratie Vecchie Venezia.
Installation view of Edoardo Tresoldi’s “Monumento,” photo by Roberto Conte, courtesy of Procuratie Vecchie Venezia.
Installation view of Edoardo Tresoldi’s “Monumento,” photo by Roberto Conte, courtesy of Procuratie Vecchie Venezia.Installation view of Edoardo Tresoldi’s “Monumento,” photo by Roberto Conte, courtesy of Procuratie Vecchie Venezia.
Installation view of Edoardo Tresoldi’s “Monumento,” photo by Roberto Conte, courtesy of Procuratie Vecchie Venezia.
Venice, San Marco

Edoardo Tresoldi: Monumento

After a five-year restoration by David Chipperfield Architects Milan and supported by Generali, the reopening of the Procuratie Vecchie in Venice’s St. Mark’s Square is inaugurated with Edoardo Tresoldi’s site-specific installation, “Monumento.”

After a five-year restoration by David Chipperfield Architects Milan and supported by Generali, the reopening of the Procuratie Vecchie in Venice’s St. Mark’s Square is inaugurated with Edoardo Tresoldi’s site-specific installation, “Monumento.” The installation, conceived in collaboration with Carlotta Franco in preparation for the location’s new use for the first time in 500 years as headquarters of The Human Safety Net foundation, renews and subverts the language of the monumental column and the traditional values to which society aspires. “Monumento” comprises a column set within the space that contains the staircase of the Procuratie Vecchie, in proportional dialogue with the monument it mimics. By climbing the stairs, the viewer is both able to see the column in its entirety and to change her perspective of this monument, dematerializing colossal myths and condensing past and present into an ongoing narrative. 

As Tresoldi states, “Monumental architecture is a composition which neglects function in order to ritualize a thought by means of a three-dimensional work… When, therefore, a monument is stripped of its own symbolism, what remains is a virtuoso and melancholic lyric song, discrete and solemn, and yet in search of contact because it was born to be expressed, first as artifact and gesture and then as a concept and presence.” This presence places listening and dialogue at the center of intercultural and intergenerational relations.

Share
P.za San Marco, 119, 30124 Venezia VE, Italy
Installation view of Edoardo Tresoldi’s “Monumento,” photo by Roberto Conte, courtesy of Procuratie Vecchie Venezia.Installation view of Edoardo Tresoldi’s “Monumento,” photo by Roberto Conte, courtesy of Procuratie Vecchie Venezia.
Procuratie Vecchie
Edoardo Tresoldi: Monumento
After a five-year restoration by David Chipperfield Architects Milan and supported by Generali, the reopening of the Procuratie Vecchie in Venice’s St. Mark’s Square is inaugurated with Edoardo Tresoldi’s site-specific installation, “Monumento.”

Exhibitions

Installation view of “Walking with Water,” Vladimir Nikolic, Venice, 2022; courtesy of the artist.Installation view of “Walking with Water,” Vladimir Nikolic, Venice, 2022; courtesy of the artist.
Venice, Castello |Exhibitions

Vladimir Nikolic: Walking with Water, Serbia Pavilion

The Ministry of Culture and Media of the Republic of Serbia presents Walking with Water, a solo exhibition of Vladimir Nikolic at the Serbia Pavilion.

Installation view of Austrian Pavilion, Venice Biennale 2022; © Jakob Lena Knebl and Ashley Hans Scheirl, photo by Georg Petermichl, courtesy of the artists.Installation view of Austrian Pavilion, Venice Biennale 2022; © Jakob Lena Knebl and Ashley Hans Scheirl, photo by Georg Petermichl, courtesy of the artists.

Invitation of the Soft Machine and Her Angry Body Parts, Austria Pavilion

Jakob Lena Knebl and Ashley Hans Scheirl will represent the Austria Pavilion at the 59th Venice Biennale.

Maria Eichhorn, "Relocating a Structure" German Pavilion 2022Maria Eichhorn, "Relocating a Structure" German Pavilion 2022

Maria Eichhorn: Relocating a Structure, Germany Pavilion

Artist Maria Eichhorn represents the Germany Pavilion at the 59th International Art Exhibition - La Biennale di Venezia through November 27.

"Cunning diplomacy," Malta Pavilion, 2022"Cunning diplomacy," Malta Pavilion, 2022

Arcangelo Sassolino, Giuseppe Schembri Bonaci, Brian Schembri: Cunning diplomacy, Malta Pavilion

Artists Arcangelo Sassolino, Giuseppe Schembri Bonaci and Brian Schembri represent​ the Malta Pavilion at the 59th International Art Exhibition - La Biennale di Venezia through November 27.

Sonia Boyce, "Feeling Her Way," Great Britain Pavilion, 2022Sonia Boyce, "Feeling Her Way," Great Britain Pavilion, 2022

Sonia Boyce: Feeling Her Way, Great Britain Pavilion

Artist Sonia Boyce represents the Great Britain Pavilion at the 59th International Art Exhibition - La Biennale di Venezia through November 27.

"Radiance – They Dream in Time," Uganda Pavilion, 2022"Radiance – They Dream in Time," Uganda Pavilion, 2022

Acaye Kerunen and Collin Sekajugo: Radiance – They Dream in Time, Uganda Pavilion 

Artists Acaye Kerunen and Collin Sekajugo represent Uganda’s inaugural pavilion at the 59th International Art Exhibition - La Biennale di Venezia through November 27.

Zineb Sedira "Dreams have no titles," 2022Zineb Sedira "Dreams have no titles," 2022

Zineb Sedira: Dreams have no titles, France Pavilion

Artist Zineb Sedira represents France at the 59th International Art Exhibition - La Biennale di Venezia through November 27.

Angels ListeningAngels Listening

Rachel Lee Hovnanian: Angels Listening

CSDCA presents "Angels Listening," an intimate and immersive exhibition of the works of Rachel Lee Hovnanian curated by Annalisa Bugliani.

Małgorzata Mirga-Tas, Re-enchanting the World, exhibition view, Polish Pavilion at the Biennale Arte 2022; photo by Daniel Rumiancew, courtesy of Zachęta — National Gallery of Art.Małgorzata Mirga-Tas, Re-enchanting the World, exhibition view, Polish Pavilion at the Biennale Arte 2022; photo by Daniel Rumiancew, courtesy of Zachęta — National Gallery of Art.Małgorzata Mirga-Tas, Re-enchanting the World, exhibition view, Polish Pavilion at the Biennale Arte 2022; photo by Daniel Rumiancew, courtesy of Zachęta — National Gallery of Art.Małgorzata Mirga-Tas, Re-enchanting the World, exhibition view, Polish Pavilion at the Biennale Arte 2022; photo by Daniel Rumiancew, courtesy of Zachęta — National Gallery of Art.

Malgorzata Mirga-Tas: Re-enchanting the world, Poland Pavilion

For the first time in the over-120-year history of the Venice Biennale, a Roma artist, Małgorzata Mirga-Tas, is representing a national pavilion.

Our ValuesContactAdvertiseTerms
© Whitewall 2020

Go inside the worlds of art, fashion, design, and lifestyle.

Subscribe to the Newsletter