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Ha Chong-Hyun, “White Paper on Urban Planning,” 1967, 112 x 112 cm, oil on canvas; ©Ha Chong-Hyun, photo by Chunho An, courtesy of the artist and Kukje Gallery.Ha Chong-Hyun, “White Paper on Urban Planning,” 1967, 112 x 112 cm, oil on canvas; ©Ha Chong-Hyun, photo by Chunho An, courtesy of the artist and Kukje Gallery.
Ha Chong-Hyun, “White Paper on Urban Planning,” 1967, 112 x 112 cm, oil on canvas; ©Ha Chong-Hyun, photo by Chunho An, courtesy of the artist and Kukje Gallery.
Ha Chong-Hyun, "Conjunction 74-24,” 1974, 200 x 100 cm, oil on hemp cloth; ©Ha Chong-Hyun, photo by Sang-tae Kim, courtesy of the artist and Kukje Gallery.Ha Chong-Hyun, "Conjunction 74-24,” 1974, 200 x 100 cm, oil on hemp cloth; ©Ha Chong-Hyun, photo by Sang-tae Kim, courtesy of the artist and Kukje Gallery.
Ha Chong-Hyun, "Conjunction 74-24,” 1974, 200 x 100 cm, oil on hemp cloth; ©Ha Chong-Hyun, photo by Sang-tae Kim, courtesy of the artist and Kukje Gallery.
Venice, Dorsoduro

Ha Chong-Hyun at Palazzetto Tito

Kukje Art and Culture Foundation presents a solo exhibition of work by Ha Chong-Hyun, on view at Palazzetto Tito in Venice.

April 23, 2022 - August 24, 2022

Kukje Art and Culture Foundation presents a solo exhibition of work by Ha Chong-Hyun, on view at Palazzetto Tito in Venice. The show, curated by Sunjung Kim, features over 20 of Chong-Hyun’s works from the past six decades and will comprise five sections: the 1967-1968 Naissance series which addresses traditional elements of Korean art and White Paper on Urban Planning series which addresses urbanization; the early Conjunction series and the early 1970s Informel works produced during Ha’s involvement with the Korean Avant-Garde Association; the progression of his Conjunction series from the 1990s to the 2010s; the Post-Conjunction series from 2008 to 2012; and works after 2020, including pieces produced for the show. Chong-Hyun has devoted his career to exploring materials and their properties, pushing oil paint through the back of coarse canvas to the front for two-dimensional works and using non-traditional materials such as barbed wire, plaster, timber, newspaper, and the burlap used for food aid after the Korean War for three-dimensional works. This refined aesthetic vocabulary is one informed by the bleak spirit of that time, as is exemplified by Chong-Hyun’s burning of canvas surfaces with fire so as to achieve his distinctive dark tones.

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Dorsoduro, 2826, 30123 Venezia VE, Italy
Ha Chong-Hyun, “White Paper on Urban Planning,” 1967, 112 x 112 cm, oil on canvas; ©Ha Chong-Hyun, photo by Chunho An, courtesy of the artist and Kukje Gallery.Apr 23 - Aug 24Ha Chong-Hyun, “White Paper on Urban Planning,” 1967, 112 x 112 cm, oil on canvas; ©Ha Chong-Hyun, photo by Chunho An, courtesy of the artist and Kukje Gallery.
Palazzetto Tito
Ha Chong-Hyun at Palazzetto Tito
Kukje Art and Culture Foundation presents a solo exhibition of work by Ha Chong-Hyun, on view at Palazzetto Tito in Venice.

Exhibitions

Installation view of “Walking with Water,” Vladimir Nikolic, Venice, 2022; courtesy of the artist.Installation view of “Walking with Water,” Vladimir Nikolic, Venice, 2022; courtesy of the artist.
Venice, Castello |Exhibitions

Vladimir Nikolic: Walking with Water, Serbia Pavilion

The Ministry of Culture and Media of the Republic of Serbia presents Walking with Water, a solo exhibition of Vladimir Nikolic at the Serbia Pavilion.

Installation view of Austrian Pavilion, Venice Biennale 2022; © Jakob Lena Knebl and Ashley Hans Scheirl, photo by Georg Petermichl, courtesy of the artists.Installation view of Austrian Pavilion, Venice Biennale 2022; © Jakob Lena Knebl and Ashley Hans Scheirl, photo by Georg Petermichl, courtesy of the artists.

Invitation of the Soft Machine and Her Angry Body Parts, Austria Pavilion

Jakob Lena Knebl and Ashley Hans Scheirl will represent the Austria Pavilion at the 59th Venice Biennale.

Maria Eichhorn, "Relocating a Structure" German Pavilion 2022Maria Eichhorn, "Relocating a Structure" German Pavilion 2022

Maria Eichhorn: Relocating a Structure, Germany Pavilion

Artist Maria Eichhorn represents the Germany Pavilion at the 59th International Art Exhibition - La Biennale di Venezia through November 27.

"Cunning diplomacy," Malta Pavilion, 2022"Cunning diplomacy," Malta Pavilion, 2022

Arcangelo Sassolino, Giuseppe Schembri Bonaci, Brian Schembri: Cunning diplomacy, Malta Pavilion

Artists Arcangelo Sassolino, Giuseppe Schembri Bonaci and Brian Schembri represent​ the Malta Pavilion at the 59th International Art Exhibition - La Biennale di Venezia through November 27.

Sonia Boyce, "Feeling Her Way," Great Britain Pavilion, 2022Sonia Boyce, "Feeling Her Way," Great Britain Pavilion, 2022

Sonia Boyce: Feeling Her Way, Great Britain Pavilion

Artist Sonia Boyce represents the Great Britain Pavilion at the 59th International Art Exhibition - La Biennale di Venezia through November 27.

"Radiance – They Dream in Time," Uganda Pavilion, 2022"Radiance – They Dream in Time," Uganda Pavilion, 2022

Acaye Kerunen and Collin Sekajugo: Radiance – They Dream in Time, Uganda Pavilion 

Artists Acaye Kerunen and Collin Sekajugo represent Uganda’s inaugural pavilion at the 59th International Art Exhibition - La Biennale di Venezia through November 27.

Zineb Sedira "Dreams have no titles," 2022Zineb Sedira "Dreams have no titles," 2022

Zineb Sedira: Dreams have no titles, France Pavilion

Artist Zineb Sedira represents France at the 59th International Art Exhibition - La Biennale di Venezia through November 27.

Angels ListeningAngels Listening

Rachel Lee Hovnanian: Angels Listening

CSDCA presents "Angels Listening," an intimate and immersive exhibition of the works of Rachel Lee Hovnanian curated by Annalisa Bugliani.

Małgorzata Mirga-Tas, Re-enchanting the World, exhibition view, Polish Pavilion at the Biennale Arte 2022; photo by Daniel Rumiancew, courtesy of Zachęta — National Gallery of Art.Małgorzata Mirga-Tas, Re-enchanting the World, exhibition view, Polish Pavilion at the Biennale Arte 2022; photo by Daniel Rumiancew, courtesy of Zachęta — National Gallery of Art.Małgorzata Mirga-Tas, Re-enchanting the World, exhibition view, Polish Pavilion at the Biennale Arte 2022; photo by Daniel Rumiancew, courtesy of Zachęta — National Gallery of Art.Małgorzata Mirga-Tas, Re-enchanting the World, exhibition view, Polish Pavilion at the Biennale Arte 2022; photo by Daniel Rumiancew, courtesy of Zachęta — National Gallery of Art.

Malgorzata Mirga-Tas: Re-enchanting the world, Poland Pavilion

For the first time in the over-120-year history of the Venice Biennale, a Roma artist, Małgorzata Mirga-Tas, is representing a national pavilion.

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