LASTEST
Editors Pick's
Amelia Bauer’s “Extra Terrestrial,” “Midnight in Diablo Canyon,” and “Moonscapes” are three bodies of work that transform desert landscapes into an ethereal mash-up of science fiction films and spaghetti westerns. They rely heavily on postproduction and lighting… New Art Photography: Amelia Bauer’s Space Jams
At first glance, Monika Sziladi’s Wide Receivers might appear to be a straightforward social commentary on nightlife photography, influenced by Larry Fink or Jessica Craig Martin. Like Fink and Craig Martin, Sziladi’s photos initially look like unflattering… New Art Photography: Mónika Sziládi’s Digital Society
After retiring from Goldman Sachs in the mid-90s, Artur Walther developed a collection of historical and contemporary photography that now rivals major museums. Walther began his collection with German typologists, such as Bernd and Hilla Becher… Artur Walther May Have the Largest Collection of African Photography
Photographing the “mundane” has become such an overused genre that it feels at times as trite as a photograph of a business handshake. Curtis Hamilton’s ongoing untitled body of work gives this trend new vitality by depicting… New Art Photography: Curtis Hamilton Solves Problems with Photography
Wendy Given’s “In The Land of Pioneer” uses sculpture, taxidermy, and tableaux to create photographic narratives that explore the relationship between humankind and the natural world. The project, which is largely photographed in the woods of… New Art Photography: Wendy Given’s Spiritual Mythologies
In March, 2010 Amy Stein and Stacy Arezou Mehrfar, two American born photographers, traveled throughout Australia photographing the people, landscape, ephemera, and wildlife to collaboratively hunt for evidence of “Tall Poppy Syndrome,” a social phenomenon predominant in… New Art Photography: Australia’s “Tall Poppy Syndrome”
