Curated by fashion historian Olivier Saillard and organized for the space by Rafael Gomes, “Masters of Cut” is a compilation of garments by the late designers Azzedine Alaïa and Gilbert Adrian. A sculptor-turned-designer from Tunisia, Alaïa is known for dressing supermodels like Naomi Campbell in stunning and fitted designs that accentuated the female form. Alaïa was an avid collector of things created by Adrian, who was the head costumer for MGM during Hollywood’s Golden Age between the years of 1928—1941, dressing stars like Greta Garbo and Joan Crawford throughout his career. When exhibited together, their designs reveal an intertwined story of enduring legacies who were icons of their respective times.
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Named for Abraham Cruzvillegas's essay reminding us that everything is subject to evolution, "The Willfulness of Objects" features a series of works from The Bass's collection.
The collection of Judy Glickman Lauder at the Norton Museum of Art lends itself to a sweeping narrative of 20th-century photography.
In Green’s debut solo show at AND NOW, viewers will be taken on a journey through the subconscious.
Named for Abraham Cruzvillegas's essay reminding us that everything is subject to evolution, "The Willfulness of Objects" features a series of works from The Bass's collection.
The collection of Judy Glickman Lauder at the Norton Museum of Art lends itself to a sweeping narrative of 20th-century photography.
In Green’s debut solo show at AND NOW, viewers will be taken on a journey through the subconscious.