On view at Kunsthalle Basel is “Salutary Failures,’’ an exhibition presenting 5 new bodies of work by Raphael Hefti. Throughout his artistic practice, Hefti has been searching for the sublime in ordinary phenomena, both natural and industrial, and is interested in pushing materials and techniques to their limits, and even beyond. Among the works in the exhibition, viewers will find more than 27 tons of black sand pressed into an array of monoliths, 15 four-meters-long glass vitals enclosing various noble gases and a dozen abstract ‘paintings’ created through several acid and pigment baths. Altogether, the works in the exhibition explore their numbers, whether it is the sheer scale, the weight, or the temporal measure they imply.
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Named for Abraham Cruzvillegas's essay reminding us that everything is subject to evolution, "The Willfulness of Objects" features a series of works from The Bass's collection.
Named for Abraham Cruzvillegas's essay reminding us that everything is subject to evolution, "The Willfulness of Objects" features a series of works from The Bass's collection.
“Presence: The Photography Collection of Judy Glickman Lauder”
The collection of Judy Glickman Lauder at the Norton Museum of Art lends itself to a sweeping narrative of 20th-century photography.
In Green’s debut solo show at AND NOW, viewers will be taken on a journey through the subconscious.
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THE SPRING ARTIST ISSUE
2023
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Named for Abraham Cruzvillegas's essay reminding us that everything is subject to evolution, "The Willfulness of Objects" features a series of works from The Bass's collection.
The collection of Judy Glickman Lauder at the Norton Museum of Art lends itself to a sweeping narrative of 20th-century photography.
In Green’s debut solo show at AND NOW, viewers will be taken on a journey through the subconscious.
Named for Abraham Cruzvillegas's essay reminding us that everything is subject to evolution, "The Willfulness of Objects" features a series of works from The Bass's collection.
The collection of Judy Glickman Lauder at the Norton Museum of Art lends itself to a sweeping narrative of 20th-century photography.
In Green’s debut solo show at AND NOW, viewers will be taken on a journey through the subconscious.