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Erin Cluley Gallery launched a solo exhibition by Gary Goldberg, opening through the gallery’s new online platform ECG Viewing Room.
August 29, 2020 - October 3, 2020
Erin Cluley Gallery launched a solo exhibition by Gary Goldberg, opening through the gallery’s new online platform ECG Viewing Room. For “Oaxaca Between the Lines,” Goldberg created five new large-scale hand felted wall textiles, made in partnership with artisans in Oaxaca, Mexico. While shiny photographs of Mexican cobblestone streets may be commonplace, Goldberg’s work explores how the Colonial Mexican architecture transforms into landscapes and mythologies when shot in close range. The artist then transforms the images into photorealistic tapestries using a specific Mexican felting process. Goldberg’s textiles question the status of the landscape as a construct. Elements in the artist’s work can recall landscapes as he often imposes a horizon line, creating a pictorial space that refers to a land sky relationship. Altogether, the works in “Oaxaca Between the Lines,” seek to explore the idea of abstracted landscapes by bifurcating a composition and utilizing dark and light values.
Naudline Pierre’s first solo museum exhibition, “What Could Be Has Not Yet Appeared,” is open at the Dallas Museum of Art until May 15, 2022.
Galleri Urbane’s “The Gift Edit(ion)” is a group exhibition of gallery artists, who are each presenting limited editions perfect for gifting.
Michael P. Berman's "Perdido" follows the artist's journey by foot through the San Luis mountains, captured in a series of black and white photographs.
The Modern Art Museum of Fort Worth’s “Sean Scully: The Shape of Ideas” is a retrospective featuring Scully’s most important works dating from the 1970s through the current day.
Beat the heat of a Texas summer by paying a visit to Conduit Gallery’s group exhibition “Hot Damn!”, open through August 22.
Harry Moody’s “Celebrations in Color” presents a series of the artist’s abstracted oil paintings, created within the last few years.
In Steven Charles’s exhibition “Clearing in the Forest,” the artist is presenting a new body of paintings created with the self-imposed restraints of using no color and working without his typical arsenal of tools.
Anna Elise Johnson’s “Earthworks - West Texas” is an exhibition of eight new works that were born from paper ground rubbings and the artist’s circumstances surrounding the pandemic.