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Dallas based artist Reinhard Ziegler’s ninth solo exhibition is currently on view at Conduit Gallery.
August 29, 2020 - October 10, 2020
Dallas based artist Reinhard Ziegler’s ninth solo exhibition is currently on view at Conduit Gallery. For his show, the artists used his camera to comment on the beauty of the central California coast and produced a series of 16 archival prints on paper. The central California coast—favorite subject for some of the most prominent landscape photographers—offers sun-colored rocks, sprawling vegetation and the roaring applause of the ocean against the shore. The visual portals so central to these works render in various states, some natural while others appear to be more enigmatic. In either ways, they are conceived as starting points to fresh ways of considering our relationship with Heaven and Earth.
Naudline Pierre’s first solo museum exhibition, “What Could Be Has Not Yet Appeared,” is open at the Dallas Museum of Art until May 15, 2022.
Galleri Urbane’s “The Gift Edit(ion)” is a group exhibition of gallery artists, who are each presenting limited editions perfect for gifting.
Michael P. Berman's "Perdido" follows the artist's journey by foot through the San Luis mountains, captured in a series of black and white photographs.
The Modern Art Museum of Fort Worth’s “Sean Scully: The Shape of Ideas” is a retrospective featuring Scully’s most important works dating from the 1970s through the current day.
Beat the heat of a Texas summer by paying a visit to Conduit Gallery’s group exhibition “Hot Damn!”, open through August 22.
Harry Moody’s “Celebrations in Color” presents a series of the artist’s abstracted oil paintings, created within the last few years.
In Steven Charles’s exhibition “Clearing in the Forest,” the artist is presenting a new body of paintings created with the self-imposed restraints of using no color and working without his typical arsenal of tools.
Anna Elise Johnson’s “Earthworks - West Texas” is an exhibition of eight new works that were born from paper ground rubbings and the artist’s circumstances surrounding the pandemic.