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Mary McCartney: Moment of Affection

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Bruce Nauman, photo © Jason Schmidt.
Bruce Nauman, "Setting a Good Corner (Allegory & Metaphor)," 1999 (stills), color video with sound, 59:30 minutes, © Bruce Nauman / Artists Rights Society (ARS), New York and DACS, London 2021, courtesy of the artist, Sperone Westwater, New York and White Cube.
Bruce Nauman, "Sound for Mapping the Studio Model (The Video)," 2001, (still) DVD (color, sound), 1 hour, 1 minute, 20 seconds, © Bruce Nauman / Artists Rights Society (ARS), New York and DACS, London 2021, courtesy of the artist, Sperone Westwater, New York and White Cube.
Bruce Nauman, "Bullet Illusion/Pencil Illusion," 2013 (stills) HD video installation (color, mono sound continuous play, asynchronous loop)
2 HD video sources, 2 HD video projectors, 2 speakers, approximately 36 1/2 x 66 inches (92,7 x 167,6 cm) each installed, Bullet Illusion: 1 minutes 10 seconds Pencil Illusion: component 1 minute 5 seconds
© Bruce Nauman / Artists Rights Society (ARS), New York and DACS, London 2021, courtesy of the artist, Sperone Westwater, New York and White Cube.
Hong Kong, Central

Bruce Nauman: Presence/Absence

Bruce Nauman's "Presence/Absence" is on view at White Cube Hong Kong through May 8.

March 10, 2021 - May 8, 2021

Bruce Nauman's "Presence/Absence" is on view at White Cube Hong Kong through May 8. The exhibition is his first in Hong Kong and presents video works by the American artist. Included are influential works like Setting a Good Corner (Allegory & Metaphor) (1999), Thumb Start and 4th Finger Start (both 2013), and Mapping the Studio (Fat Chance John Cage), (2001). "What makes the work interesting is if you choose the right questions. Then, as you proceed, the answers are what’s interesting.’ With an economy of means, and the length of the work often determined by the duration of the medium or of a given task, they are modelled on the artist’s self-confessed desire ‘to find the most efficient way to get what I want," said the artist.

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50 Connaught Rd Central, Central, Hong Kong
Mar 10 - May 8
White Cube Hong Kong
Bruce Nauman: Presence/Absence
Bruce Nauman's "Presence/Absence" is on view at White Cube Hong Kong through May 8.

Exhibitions

Hong Kong, Central |Exhibitions

William Mackinnon: Modern Family

William Mackinnon’s first solo show in Hong Kong, "Modern Family," continues the artist's look at the form of the tree as a subject.

Sanford Biggers: The Extinction Agenda

Sanford Biggers’s “The Extinction Agenda,” centers the artist’s acknowledgment of a debt to the intercultural communication of traditions and knowledge.

Minding the G(r)a(s)p

Through August 14, Para Site invites viewers to visit its group show “Minding the G(r)a(s)p,” which features work by 7 artists.

Koak: The Driver

Koak’s debut solo show in Asia is an exhibition titled “The Driver” at Perrotin’s Hong Kong gallery, which is open through July 30.

Sean Scully

Ben Brown Fine Arts’s first solo show of the artist Sean Scully presents seven new paintings representative of Scully’s abstract oeuvre.

William Kentridge: Weigh All Tears

William Kentridge's first solo show in Hong Kong, "Weigh All Tears" features new works concerned with how history shapes our present.

Georg Baselitz: Sofabilder / Sofa Pictures

Presented at White Cube from May 24—September 3, Georg Baselitz’s “Sofabilder / Sofa Pictures” is a show of new and recent works.

Lee Bae: Paradigm of Charcoal

Perrotin Hong Kong is pleased to present “Paradigm of Charcoal,” a solo exhibition from Korean artist Lee Bae on view through September 11.

Ze/Ro

Ben Brown Fine Arts presents a group exhibition “Ze/Ro” through August 26 2021.

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