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Ibrahim Mahama's "Lazarus" offers a narrative on the passage of time and concepts of obsolescence and regeneration.
September 15, 2021 - November 7, 2021
Ibrahim Mahama’s “Lazarus” is a presentation of new works encompassing a suite of collage, film, sculpture, and large-scale installation, open through November 7 at White Cube’s Bermondsey gallery. The show offers a narrative on the passage of time and concepts of obsolescence and regeneration, born from consideration of an abandoned building called Nkrumah Voli-n—named for the first president of Ghana (Kwame Nkrumah) and a literal translation of “inside the hole”—located in the artist’s home town of Tamale, Ghana.
Annina Roescheisen's "Vibrational Strings" follows her ongoing exploration of the effects of imperceptible elements on our physicality and emotions.
Mitchell Anderson's "Flower Paintings" explores ideas of monochrome, titled in reference to the famous series by Andy Warhol.
The inaugural exhibition at Pace’s new London gallery space, “Mark Rothko 1968: Clearing Away” features paintings on paper created in the later years of Rothko’s life.
Pamela Rosenkranz’s first solo exhibition at Sprüth Magers in London, “Healer” follows the artist’s exploration of the authenticity of the human experience.
Filling both of Hauser & Wirth’s London galleries, George Condo’s “Ideals of the Unfound Truth" features a series of new drawings and paintings.
Part of The EY Tate Arts Partnership, “The Making of Rodin” dives into the unconventional sculpting practice of Auguste Rodin.
The first of its kind, Thaddaeus Ropac’s exhibition “Please Touch: Marcel Duchamp and the Fetish” looks at the recurring themes of fetishism and the fetish throughout Duchamp’s artistic oeuvre.
Drawing on the artist's personal memories and observations Wangari Mathenge's exhibition "You Are Here" looks at experiences of home.