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Ibrahim Mahama's "Lazarus" offers a narrative on the passage of time and concepts of obsolescence and regeneration.
September 15, 2021 - November 7, 2021
Ibrahim Mahama’s “Lazarus” is a presentation of new works encompassing a suite of collage, film, sculpture, and large-scale installation, open through November 7 at White Cube’s Bermondsey gallery. The show offers a narrative on the passage of time and concepts of obsolescence and regeneration, born from consideration of an abandoned building called Nkrumah Voli-n—named for the first president of Ghana (Kwame Nkrumah) and a literal translation of “inside the hole”—located in the artist’s home town of Tamale, Ghana.
From October 12—December 23, Amy Sherald’s first-ever solo exhibition in Europe, "The World We Make," is on view at Hauser & Wirth in London.
The new works in Nathaniel Mary Quinn’s “SCENES” see the artist’s singular style of portraiture utilized in an exploration of film.
Teresita Fernández’s “Caribbean Cosmos” invites viewers to reflect on definitions of land and location in relation to violence and colonization.
Gagosian’s Grosvenor Hill gallery presents Mark Grotjahn's “Backcountry," named in reference to the artist's time spent in Colorado.
From October 11—November 12, Pace Gallery in London’s Hanover Square is presenting an exhibition of paintings by the late artist Sam Gilliam.
Presented by 180 Studios at 180 The Strand is a major video installation by Richard Mosse, shown in an exhibition with related photographs.
From September 23—December 23, Anne Imhof takes over the London gallery of Sprüth Magers with her exhibition “Avatar II”.
“Dindga!” Is Dindga McCannon’s first solo exhibition in Europe, on view at Pippy Houldsworth Gallery in London from October 11—November 12.