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“Pardo é Papel: Close a door to open a window” is Maxwell Alexandre’s debut solo exhibition in the untied kingdom.
December 2, 2020 - January 30, 2021
“Pardo é Papel: Close a door to open a window” at David Zwirner is Maxwell Alexandre’s debut solo exhibition in the Untied Kingdom. Conceived and organized like a musical album, the exhibition features a series of large-scale paintings on paper bearing influences of global hip-hop on Black contemporary storytelling. Through works like the title painting Close a door to open a window (which features an illustration often found on LSD blotter sheets) and Dalila retocando meus dreads, depicting a scene at a barbershop, the Brazilian artist creates a narrative on the coexisting Latin American colonial and Afrodiasporic legacies that affect the country’s Black society.
On view at Lehmann Maupin’s London gallery through June 6 is Robin Rhode’s “The Backyard is My World.”
Damien Hirst presented a self-curated exhibition at Gagosian.
Lévy Gorvy’s “Castellani | Sculpture” is a presentation of previously unseen works by the late Enrico Castellani.
Open by appointment only, Rachel Whiteread’s “Internal Objects” is on view at Gagosian’s Grosvenor Hill location through June 6.
“Robert Mangold: A Survey 1981-2008” features significant works encompassing the development of the late artist’s practice.
London’s Pippy Houldsworth Gallery is presenting a virtual exhibition by the artist Zoë Buckman, titled “NOMI,” after the artist's alter ego.
Galerie Maria Bernheim inaugurates its temporary space on Mount Street in London with "Body Double."
Mary Weatherford’s “Train Yards” features paintings by the artist that combine notions of urban and rural environments with an abstracted viewpoint.