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In "Ritual," Tom Sachs explores ideas of consumerism and ritual through the recreation of everyday items and objects, which have been displayed on bespoke pedestals.
June 3, 2021 - July 31, 2021
In Tom Sachs’s “Ritual,” the artist’s exploration of consumerism and ritual is paired with ideas of classical sculpture and modernist shapes, presenting a series of works that utilize everyday items and objects (purses, laundry detergent, boxes of corn flakes) in a commentary on freedom, domesticity, drug trades, and urban surveillance. Open at Galerie Thaddaeus Ropac through July 31, Sachs has created for the works a series of pedestals conceived especially for the exhibition, which are made using familiar branding and imagery like cases of Campbell’s tomato juice, boxes of Brillo pads, and Heinz ketchup. Displayed around the space like totems of domesticity, the selection of works (which have never before been seen in the UK) recalls stacks of things one might find in a late night corner shop, though each item has been manually replicated at the hand of the artist.
Annina Roescheisen's "Vibrational Strings" follows her ongoing exploration of the effects of imperceptible elements on our physicality and emotions.
Mitchell Anderson's "Flower Paintings" explores ideas of monochrome, titled in reference to the famous series by Andy Warhol.
The inaugural exhibition at Pace’s new London gallery space, “Mark Rothko 1968: Clearing Away” features paintings on paper created in the later years of Rothko’s life.
Ibrahim Mahama's "Lazarus" offers a narrative on the passage of time and concepts of obsolescence and regeneration.
Pamela Rosenkranz’s first solo exhibition at Sprüth Magers in London, “Healer” follows the artist’s exploration of the authenticity of the human experience.
Filling both of Hauser & Wirth’s London galleries, George Condo’s “Ideals of the Unfound Truth" features a series of new drawings and paintings.
Part of The EY Tate Arts Partnership, “The Making of Rodin” dives into the unconventional sculpting practice of Auguste Rodin.
The first of its kind, Thaddaeus Ropac’s exhibition “Please Touch: Marcel Duchamp and the Fetish” looks at the recurring themes of fetishism and the fetish throughout Duchamp’s artistic oeuvre.