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Featuring a series of paintings, neon, sculptures, and film, Tracey Emin’s “Living Under the Hunters Moon” is a presentation of works conceived to accompany the Royal Academy of Arts, London’s major exhibition “Tracey Emin / Edvard Munch: The Loneliness of the Soul.”
November 25, 2020 - January 30, 2021
Featuring a series of paintings, neon, sculptures, and film, Tracey Emin’s “Living Under the Hunters Moon” is a presentation of works at White Cube conceived to accompany the Royal Academy of Arts, London’s major exhibition “Tracey Emin / Edvard Munch: The Loneliness of the Soul.” Named for the painting which references the hunter’s moon (or blood moon), the show includes works like the dark red and blue Absolute Fucking Desperation, the bloodlike gestural marks that make up This Was The Beginning, and a film titled Homage to Edvard Munch and all My Dead Children, shot at Munch’s house in Norway.
"Early Paradise" features Kat Lyons's thought-provoking surrealist compositions, drawing from her upbringing on a small livestock farm.
Francisca Sosa López’s exhibition “…y nada, agarré mis peroles y me fuí” is open at London’s Pippy Houldsworth Gallery through February 12, 2022.
Annina Roescheisen's "Vibrational Strings" follows her ongoing exploration of the effects of imperceptible elements on our physicality and emotions.
Mitchell Anderson's "Flower Paintings" explores ideas of monochrome, titled in reference to the famous series by Andy Warhol.
The inaugural exhibition at Pace’s new London gallery space, “Mark Rothko 1968: Clearing Away” features paintings on paper created in the later years of Rothko’s life.
Ibrahim Mahama's "Lazarus" offers a narrative on the passage of time and concepts of obsolescence and regeneration.
Pamela Rosenkranz’s first solo exhibition at Sprüth Magers in London, “Healer” follows the artist’s exploration of the authenticity of the human experience.
Filling both of Hauser & Wirth’s London galleries, George Condo’s “Ideals of the Unfound Truth" features a series of new drawings and paintings.