On view at Night Gallery is “It would be very glamorous to be reincarnated as a great big ring on Liz Taylor’s finger,” a solo exhibition of new sculptures by Lucile Littot. Her work is informed by ancient and contemporary mythologies and depicts fantastical doglike creatures, which find the presence of the archetypal within Old Hollywood glamour, kitsch, Expressionism and psychedelia. The whimsical elements of Littot’s imagination are visible in her works, from the echoes of Chagall’s magical creatures to the inclusion of materials like sugar in her formulas. Despite their fanciful qualities, however, the works suggest the desolate dreamscape that defines a centuries-old drive for perfection.
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Named for Abraham Cruzvillegas's essay reminding us that everything is subject to evolution, "The Willfulness of Objects" features a series of works from The Bass's collection.
Named for Abraham Cruzvillegas's essay reminding us that everything is subject to evolution, "The Willfulness of Objects" features a series of works from The Bass's collection.
“Presence: The Photography Collection of Judy Glickman Lauder”
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THE SPRING ARTIST ISSUE
2023
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Named for Abraham Cruzvillegas's essay reminding us that everything is subject to evolution, "The Willfulness of Objects" features a series of works from The Bass's collection.
The collection of Judy Glickman Lauder at the Norton Museum of Art lends itself to a sweeping narrative of 20th-century photography.
In Green’s debut solo show at AND NOW, viewers will be taken on a journey through the subconscious.
Named for Abraham Cruzvillegas's essay reminding us that everything is subject to evolution, "The Willfulness of Objects" features a series of works from The Bass's collection.
The collection of Judy Glickman Lauder at the Norton Museum of Art lends itself to a sweeping narrative of 20th-century photography.
In Green’s debut solo show at AND NOW, viewers will be taken on a journey through the subconscious.