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“Portraiture One Century Apart,” an exhibition of selected works by 1920s masters and 21st century figurative artists, is on view at Massimo de Carlo in Milan, through August 6.
July 1, 2021 - August 6, 2021
“Portraiture One Century Apart,” an exhibition of selected works by 1920s masters and 21st century figurative artists, is on view at Massimo de Carlo in Milan, through August 6. The show—a dialogue between 27 artists of different generations—is concurrently held at the gallery’s London and Paris location. Participating artists include Jean Marie Appriou, Lenz Geerk, Andrew LaMar Hopkins, Pompeo Borra, Paola Consolo, Raffaele de Grada, and more.
Nathalie Djurberg & Hans Berg's “The Soft Spot” transforms GióMarconi's gallery space with a new stop-motion video work and an enchanted garden habita.
Milan’s BUILDING gallery is presenting an exhibition by Leiko Ikemura from September 4—December 23, titled “Before Thunder, After Dark.”
Cardi Gallery Milan's “IRVING PENN” is a comprehensive overview of the practice of one of the most renowned photographers of the 20th century.
Fondazione Furla is presenting "Misfits," an exhibition of work by Nairy Baghramian, at the Galleria d'Arte Moderna in Milan.
Fondazione Prada’s “Sturm&Drang” is an exploration of the practices, experiences, and environments that come in turn with working in computer generated imagery (CGI).
The third installation in Francesco Arena’s trilogy of shows with Galleria Raffaella Cortese, “Terza mostra: tre cose” focuses on three separate works, presented in three separate spaces.
MASSIMODECARLO is presenting a site-specific exhibition by the artist Danh Vō from September 7—November 6, created within the Milan/Lombardia gallery during the days leading up to the show.
Simone Fattal’s “A breeze over the Mediterranean" follows the artist’s studies surrounding the inspiration provided by ancient Pompeian artifacts.
Filling the ground floor and the external room of the Fondazione ICA Milano is Michael Anastassiades’s “Cheerfully Optimistic About the Future.”