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Rosenberg & Co. is opening a summer exhibition entitled, “A Future We Begin to Feel: Women Artists 1921–1971.”
June 5, 2021 - August 20, 2021
In celebration of the 15th anniversary of Linda Nochlin’s foundational essay, Why Have There Been No Great Women Artists?, Rosenberg & Co. is opening a summer exhibition entitled, “A Future We Begin to Feel: Women Artists 1921–1971.” Modernist women artists who created works from 1921 to 1971—like Eileen Agar, Janice Biala, Isabel Bishop and Dorothy Dehner— are included in the show, which surveys their innovations and varying institutional access while working between Cubism and Abstract Expressionism.
David Zwirner and Fraenkel Gallery have come together for the presentation of “Cataclysm: The 1972 Diane Arbus Retrospective Revisited.”
An exhibition of new multimedia paintings by Andro Wekua is on view at Gladstone 64 from September 14—October 22.
In Christina Quarles's “In 24 Days tha Sun’ll Set at 7pm” the artist is sharing new works that are the product of her recent residency at Hauser & Wirth in Somerset.
The first U.S. survey of Anna-Eva Bergman, “Revelation” is one of the few looks at the experimental practice of the dynamic Norwegian-born artist.
Lucy Bull's first solo exhibition in New York, "Piper" is on view at David Kordansky from September 10—October 15, where the artist will introduce new works on canvas.
Jenny Holzer’s most recent language-based artworks can be seen at Hauser & Wirth’s New York gallery in an exhibition titled “DEMENTED WORDS.”
Originating at World Cultural Heritage sites, “nendo Sees Kyoto” is the result of the design house’s collaborations with six Japanese master artisans.
vanessa german’s “Sad Rapper” constructs a narrative of characters from the same neighborhood as a platform to challenge urgent and current issues.