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San Francisco

Patrick Kelly: Runway of Love

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Go inside the worlds of art, fashion, design, and lifestyle.

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Sonja Sekula, "Air," 1956, opaque paint and ink on paper, 18.25 by 26.12 inches, courtesy to the artist and Peter Blum Gallery, New York.
Fahrelnissa Zeid, "Composition," 1953, Oil paint on canvas, courtesy to the artist and Rosenberg & Co.
Anne Ryan, "Untitled No. 324," 1948-1954, acrylic and collage on canvas paper, 5 1/2 by 4 1/2 inches, courtesy to the artist and Washburn Gallery.
Janice Biala, "Blue Interior," 1956, oil on canvas, 64 × 45 1/2 inches, courtesy to the artist and Rosenberg & Co.
New York, Upper East Side

A Future We Begin to Feel: Women Artists 1921–1971

Rosenberg & Co. is opening a summer exhibition entitled, “A Future We Begin to Feel: Women Artists 1921–1971.”

June 5, 2021 - August 20, 2021

In celebration of the 15th anniversary of Linda Nochlin’s foundational essay, Why Have There Been No Great Women Artists?, Rosenberg & Co. is opening a summer exhibition entitled, “A Future We Begin to Feel: Women Artists 1921–1971.” Modernist women artists who created works from 1921 to 1971—like Eileen Agar, Janice Biala, Isabel Bishop and Dorothy Dehner— are included in the show, which surveys their innovations and varying institutional access while working between Cubism and Abstract Expressionism.

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19 E 66th St, New York, NY 10065, USA
Jun 5 - Aug 20
Rosenberg & Co. Gallery
A Future We Begin to Feel: Women Artists 1921–1971
Rosenberg & Co. is opening a summer exhibition entitled, “A Future We Begin to Feel: Women Artists 1921–1971.”

Exhibitions

New York, Lower East Side |Exhibitions

Sara Mejia Kriendler

Sara Mejia Kriendler's "Mother's Milk" is a landscape representative of a spiritual body, used to look at ideas of nurture, nourishment, and creation.

Pat Phillips: Consumer Reports

In "Consumer Reports,” Pat Phillips navigates the realities and social dynamics of consumer America and our relationship to material goods.

Ruby Neri: Leveled

Ruby Neri’s second solo presentation at Salon 94, “Leveled” features a selection of new paintings and sculptures.

Betty Woodman: House of the South

“House of the South” is an exhibition of the late artist Betty Woodman, featuring her 1996 installation of the same name.

Before Yesterday We Could Fly: An Afrofuturist Period Room

“Before Yesterday We Could Fly: An Afrofuturist Period Room” is a presentation honoring the historic Seneca Village, destroyed to complete Central Park.

Xavier Veilhan: Autofocus

Xavier Veilhan’s “Autofocus” marks a departure from the faceted figures that have frequented the artist’s practice for the last several years, replacing them with smooth, edgeless sculptural forms.

New Museum Triennial: Soft Water Hard Stone

New Museum’s Triennial “Soft Water Hard Stone” features works centering states of transformation and our relationship with the natural world.

Hilma af Klint: Tree of Knowledge

“Tree of Knowledge” is an exhibition of rare works centered around Hilma af Klint’s series on paper, which bears the same name.

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