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Angel Otero, "Lucky Mirror," 2020, oil paint and fabric collaged on canvas, 84 x 108 x 1.5 inches; courtesy of the artist and Lehmann Maupin, New York, Hong Kong, Seoul, and London.
New York, Chelsea

Angel Otero: “The Fortune of Having Been There”

Angel Otero’s “The Fortune of Having Been There” combines memories of his childhood with art historical references for this body of new work.

January 28, 2021 - March 27, 2021

Angel Otero’s “The Fortune of Having Been There” at Lehmann Maupin combines memories of his childhood with art historical references for this body of new work. The paintings on view look to several of Otero’s experiments across various styles, which he has explored throughout the last decade in his practice, including abstraction, figuration, and his signature oil paint skins. The resulting works feature recognizable motifs amid multifarious compositions with a frenzied feel, which are based on memories associated with specific objects.

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501 W 24th St, New York, NY 10011, USA
Jan 28 - Mar 27
Lehmann Maupin
Angel Otero: “The Fortune of Having Been There”
Angel Otero’s “The Fortune of Having Been There” combines memories of his childhood with art historical references for this body of new work.

Exhibitions

New York, Bowery |Exhibitions

“Grief and Grievance: Art and Mourning in America”

“Grief and Grievance: Art and Mourning in America” is a group presentation of 37 intergenerational artists whose works examine the racism and violence experienced by Black communities across America through topics like mourning, loss, and commemoration.

Salman Toor: “How Will I Know”

The Whitney Museum of American Art has presented Salman Toor’s first solo museum exhibition, “How Will I Know.”

Ed Ruscha: Paintings

A showcase of new works by Ed Ruscha, “Paintings” expands on imagery from the artist’s ever-growing visual vocabulary.

Theaster Gates: Black Vessel

Theaster Gates's "Black Vessel" follows the artist’s exploration of his own history, art history, and the racial ideology of the Black diaspora.

Ewa Juszkiewicz: In vain her feet in sparkling laces glow

Ewa Juszkiewicz’s debut solo exhibition with Gagosian represents her artistic style that combines influences from classical European portraiture with elements of fantastical surrealism.

“Marking Time: Art in the Age of Mass Incarceration”

“Marking Time: Art in the Age of Mass Incarceration” is a major exhibition featuring works by more than 35 artists, creating a commentary on the way the United States’ prison industrial complex has helped shape contemporary culture.

Irving Penn: “Photographism”

“Photographism” highlights the groundbreaking photography of the late Irving Penn, with works spanning between 1939—the early 2000s.

Tara Donovan’s “Intermediaries”

Tara Donovan’s solo exhibition “Intermediaries” is a collection of connected bodies of work transforming commonplace materials into objects that push the viewer’s conceptual limits.

George Condo’s “Internal Riot”

George Condo’s “Internal Riot” is comprised of a series of paintings and works on paper created while the artist was in isolation during the COVID-19 pandemic.

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