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Assemblage 6: Unlearning,” marks a change in the path of Faye Toogood’s creative journey, in which she attempts to bury all prior knowledge of design rules in order to start from a fresh perspective.
September 10, 2020 - October 17, 2020
“Assemblage 6: Unlearning,” marks a change in the path of Faye Toogood’s creative journey, in which she attempts to bury all prior knowledge of design rules in order to start from a fresh perspective. In the process, Toogood has adopted a playful lens through which functional furniture items like daybeds, chairs, and sofas take on the look of things produced during a child’s early explorations of their creative instincts. Illusory techniques make the designs appear to be made from materials like crumpled paper, twisted wires, and cardboard boxes when, in reality, each detail has been meticulously constructed from sturdy cast bronze, rough canvas, and wrought iron.
An exhibition of new paintings, Marina Adams’s “What Are You Listening To?” is open from May 17 through June 25 at LGDR.
The Costume Institute’s annual exhibition at The Met, “In America: An Anthology of Fashion” examines the foundations of fashion in the U.S.
Presented simultaneously at Gagosian’s 980 and 976 Madison Avenue galleries is Takashi Murakami’s “An Arrow through History."
In Sasha Gordon’s “Hands Of Others,” the artist has employed a suite of new paintings to face the discomfort of examining oneself.
52 Walker is presenting its third exhibition and Nora Turato's first solo show in the U.S., "govern me harder," through July 1.
Adam Silverman’s “Marks and Markers” offers a narrative of self-reflection looking at the artist’s career-long evolution.