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David Zwirner is presenting “Traveling Light,” an exhibition of new works by Harold Ancart. Suggesting a consideration of the vast possibilities of painting, Ancart’s show immerses guests at the gallery in experiential landscapes. Working between his Brooklyn studio and an outdoor space in Los Angeles, where he resided during isolation, the show features a series of solo trees where the boundaries are blurred between color and form, and figure and abstraction, as well as two monumental, multi-panel creations, that engulf the viewer between a mountain scene and a seascape.
David Zwirner and Fraenkel Gallery have come together for the presentation of “Cataclysm: The 1972 Diane Arbus Retrospective Revisited.”
An exhibition of new multimedia paintings by Andro Wekua is on view at Gladstone 64 from September 14—October 22.
In Christina Quarles's “In 24 Days tha Sun’ll Set at 7pm” the artist is sharing new works that are the product of her recent residency at Hauser & Wirth in Somerset.
The first U.S. survey of Anna-Eva Bergman, “Revelation” is one of the few looks at the experimental practice of the dynamic Norwegian-born artist.
Lucy Bull's first solo exhibition in New York, "Piper" is on view at David Kordansky from September 10—October 15, where the artist will introduce new works on canvas.
Jenny Holzer’s most recent language-based artworks can be seen at Hauser & Wirth’s New York gallery in an exhibition titled “DEMENTED WORDS.”
Originating at World Cultural Heritage sites, “nendo Sees Kyoto” is the result of the design house’s collaborations with six Japanese master artisans.