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Closely following her recent passing at the age of 99, Luchita Hurtado’s “Together Forever” is comprised of works spanning the 1960s to the present day. Including many highly personal works that have never been exhibited before, the exhibition demonstrates Hurtado’s use of her own body as a constant subject. Capturing herself in a variety forms throughout the years, viewers experience works like a self-portrait in crayon and ink; a scene posed with plants, where she sheds a single tear; and documentations of her own shadow—a recurring theme in her practice. In celebration of her life and career, Hauser & Wirth will also introduce a publication this winter, complete with a collection of personal photographs and a conversation between the artist and curator Hans Ulrich Obrist.
David Zwirner and Fraenkel Gallery have come together for the presentation of “Cataclysm: The 1972 Diane Arbus Retrospective Revisited.”
An exhibition of new multimedia paintings by Andro Wekua is on view at Gladstone 64 from September 14—October 22.
In Christina Quarles's “In 24 Days tha Sun’ll Set at 7pm” the artist is sharing new works that are the product of her recent residency at Hauser & Wirth in Somerset.
The first U.S. survey of Anna-Eva Bergman, “Revelation” is one of the few looks at the experimental practice of the dynamic Norwegian-born artist.
Lucy Bull's first solo exhibition in New York, "Piper" is on view at David Kordansky from September 10—October 15, where the artist will introduce new works on canvas.
Jenny Holzer’s most recent language-based artworks can be seen at Hauser & Wirth’s New York gallery in an exhibition titled “DEMENTED WORDS.”
Originating at World Cultural Heritage sites, “nendo Sees Kyoto” is the result of the design house’s collaborations with six Japanese master artisans.
vanessa german’s “Sad Rapper” constructs a narrative of characters from the same neighborhood as a platform to challenge urgent and current issues.
Go inside the worlds of art, fashion, design, and lifestyle.