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In Robert Longo’s first exhibition with Pace Gallery, this installation of Longo’s “Destroyer Cycle” works puts an end to the series, which explores American power, violence, and mythmaking.
September 10, 2021 - October 23, 2021
In Robert Longo’s first exhibition with Pace Gallery, this installation of Longo’s “Destroyer Cycle” works puts an end to the series, which explores American power, violence, and mythmaking. Titled “I do fly / After summer merrily,” the presentation (open through October 23) expands on ideas of protest, freedom, and entropy through six large-scale charcoal drawings that propose hope through imagery reflecting the current state of our social and political situation—like the 96 x 146 inches Untitled (Robert E. Lee Monument Graffiti for George Floyd; Richmond, Virginia, 2020), which sees a black-and-white depiction of the stone fixture covered in its entirety with scribbles, graffiti, and script like “PEACE,” “BLM,” and “Black is Beautiful.”
An exhibition of new paintings, Marina Adams’s “What Are You Listening To?” is open from May 17 through June 25 at LGDR.
The Costume Institute’s annual exhibition at The Met, “In America: An Anthology of Fashion” examines the foundations of fashion in the U.S.
Presented simultaneously at Gagosian’s 980 and 976 Madison Avenue galleries is Takashi Murakami’s “An Arrow through History."
In Sasha Gordon’s “Hands Of Others,” the artist has employed a suite of new paintings to face the discomfort of examining oneself.
52 Walker is presenting its third exhibition and Nora Turato's first solo show in the U.S., "govern me harder," through July 1.
Adam Silverman’s “Marks and Markers” offers a narrative of self-reflection looking at the artist’s career-long evolution.