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In Robert Longo’s first exhibition with Pace Gallery, this installation of Longo’s “Destroyer Cycle” works puts an end to the series, which explores American power, violence, and mythmaking.
September 10, 2021 - October 23, 2021
In Robert Longo’s first exhibition with Pace Gallery, this installation of Longo’s “Destroyer Cycle” works puts an end to the series, which explores American power, violence, and mythmaking. Titled “I do fly / After summer merrily,” the presentation (open through October 23) expands on ideas of protest, freedom, and entropy through six large-scale charcoal drawings that propose hope through imagery reflecting the current state of our social and political situation—like the 96 x 146 inches Untitled (Robert E. Lee Monument Graffiti for George Floyd; Richmond, Virginia, 2020), which sees a black-and-white depiction of the stone fixture covered in its entirety with scribbles, graffiti, and script like “PEACE,” “BLM,” and “Black is Beautiful.”
On view through September 27 at the Solomon R. Guggenheim Museum, “Off the Record” is a group exhibition challenging mainstream documentation.
Dave McKenzie's "The Story I Tell Myself" accompanies his performance commission for The Whitney, "Disturbing the View," putting context to the work through featuring artists who have informed his practice.
Fotografiska New York’s “Photo Factory” presents more than 120 photographs by Andy Warhol ranging from iconic to never-before-seen.
Lynn Hershman Leeson’s exhibition “Twisted" features a compilation of drawing, sculpture, video, photography, and net-based works demonstrating the artist’s widespread oeuvre.
David Zwirner is presenting an exhibition by the late artist Alice Neel, featuring paintings and works on paper from the earlier years of he
“The Slipstream: Reflection, Resilience, and Resistance in the Art of Our Time” ponders the chaotic year that was 2020 and the aftermath of its wake.
Through October 23, Gagosian’s Park Avenue gallery is presenting an exhibition of new paintings by the artist Kon Trubkovich, titled “The Antepenultimate End.”
Avery Singer's "Reality Ender" features two series of new, large-scale paintings made through a combination of 3D computer modeling software and traditional painting.