Menu

  • Art
  • Lifestyle
  • Fashion
  • Design
  • Sustainability
  • Homepage
  • Whitewall Presents
  • Whitewaller
  • Insiders

Subscribe to the Newsletter

Subscribe to the Magazine

Presents

Milan

Dimoregallery: Orrizzonti

Newsletter

Go inside the worlds of art, fashion, design, and lifestyle.

Ok
Damien Hirst, “Dad and Mum,” 2021, glass, painted stainless steel, steel, painted aluminum, and painted zamac pills, each part: 22 x 28 x 3 inches; courtesy of the artist and Gagosian.
Installation view, “Damien Hirst: Cathedrals Built on Sand,” courtesy of the artist and Gagosian.
Damien Hirst, “When the Heart Speaks” (detail), 2005, glass, stainless steel, steel, aluminum, nickel, bismuth and cast resin, colored plaster, and painted pills with dry transfers, 52 1/16 x 4 inches, courtesy of the artist and Gagosian.
Paris, 8th arrondissement

Damien Hirst: Cathedrals Built on Sand

Damien Hirst’s “Cathedrals Built on Sand” is a visually playful installation posing questions on the morality of the commodification of healthcare and society’s faith in drugs.

June 8, 2021 - September 22, 2021

On view at Gagosian’s Paris gallery through September 22, Damien Hirst’s “Cathedrals Built on Sand” is a visually playful installation posing questions on the morality of the commodification of healthcare and society’s faith in drugs. The biggest installation of Hirst’s Pill Cabinets to date, these vast chromatic arrangements of the tiny medicinal morsels take on a new, heavier meaning in the midst of the COVID-19 pandemic, and have been presented in conjunction with earlier works like the 1998 Prototype for Lies.

Share
4 Rue de Ponthieu, 75008 Paris, France
Jun 8 - Sep 22
Gagosian
Damien Hirst: Cathedrals Built on Sand
Damien Hirst’s “Cathedrals Built on Sand” is a visually playful installation posing questions on the morality of the commodification of healthcare and society’s faith in drugs.

Exhibitions

Paris, 3rd arrondissement |Exhibitions

Beaten Ink, Upset Brick, Downcast Charcoal

Matias Faldbakken’s debut solo show at Galerie Chantal Crousel features a series of installations following the artist's use of opposing elements.

Hugh Steers, Blue Towel, Red Tank

Russell Tovey has curated the exhibition "Hugh Steers: Blue Towel, Red Tank,” part David Zwirner's “More Life” series, surrounding the HIV/AIDS crisis.

Baselitz — The retrospective

The first all-encompassing exhibition of the German artist Georg Baselitz, the Centre Georges Pompidou’s “Baselitz — The retrospective” gives a chronological look at 60 years of artwork.

Emily Mae Smith: Harvesters

Emily Mae Smith's "Harvesters" follows her chosen muse, a straw broom, in scenarios suggestive of styles and artworks of historic origins.

Anni et Josef Albers

This retrospective of Anni and Josef Albers looks at both their relationship as a couple and their respective artistic endeavors through a selection of over 350 works.

Anne Imhof: Natures Mortes Performance

Anne Imhof will be activating her exhibition "Natures Mortes" with a special program of performances through October 24.

Thierry Mugler, Couturissime

"Thierry Mugler, Couturissime" spans archival material dating between 1973—2014, looking at Mugler’s work across ready-to-wear, haute couture, and perfume.

Georg Baselitz – New Drawings

Coinciding with the Centre Georges Pompidou’s major retrospective of Georg Baselitz, Thaddaeus Ropac is debuting an exhibition of the artist’s new drawings.

Harold Ancart: La Grande Profondeur

Harold Ancart’s exhibition “La Grande Profondeur” features new sculptural works referencing the entity of a swimming pool and pondering the differences in shallow versus deep.

Our ValuesContactAdvertiseTerms
© Whitewall 2020

Go inside the worlds of art, fashion, design, and lifestyle.

Subscribe to the Newsletter