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David Zwirner has reopened its Paris gallery with an exhibition of photographs by Philip-Lorca diCorcia. The exhibition presents photographs from a series of 11 editorial projects that diCorcia created for W magazine between 1997 and 2008. Viewers will find some of the most iconic images from the series as well as photographs that have never been exhibited before. The images take everyday life as their starting point and involve a delicate balance between glamour and grit, imagination and irony. The series of images on view depict the artist’s critical engagement with and detachment from traditional genre expectations.
Damien Hirst’s “Cathedrals Built on Sand” is a visually playful installation posing questions on the morality of the commodification of healthcare and society’s faith in drugs.
"Women in Abstraction" highlights the work of more than 106 artists dating from the 1860s until the 1980s.
AFIKARIS Gallery’s “Figures of Power” is a joint exhibition of the Senegalese artist Ousmane Niang and Nigerian artist John Madu.
For "Surface Horizon," Jean-Marie Appriou and Marguerite Humeau have created an all-encompassing installation that stretches from the façade to the courtyard and across all of Lafayette Anticipations’ exhibition spaces.
The whimsical chaos that comes with the season of cherry tree blooms is captured in Damien Hirst’s first-ever museum exhibition in France, “Cherry Blossoms.”
Giving carte blanche over the Palais de Tokyo to Anne Imhof, “Natures Mortes” sees the entirety of the institution filled with a group presentation of the artist's conception.
Perrotin’s Paris gallery at 76 rue de Turenne is presenting ”Hartung 80,” an exhibition of the artist Hans Hartung, spread across seven sectors looking at form and technique.
Cameroonian artist Jean David Nkot’s first solo exhibition, “Human@Condition,” is on view at AFIKARIS Gallery in Paris through July 7.