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Roni Horn, "Key and Cue, No. 465, I HEARD A FLY BUZZ—WHEN I DIED—," 1994, solid alumnum and cast black plastic, 66.6 x 2 x 2 inches, photo by Stefan Altenburger, courtesy the artist and Hauser & Wirth.
Roni Horn, "Key and Cue, No. 465, I HEARD A FLY BUZZ—WHEN I DIED—," 1994, solid alumnum and cast black plastic, 66.6 x 2 x 2 inches, photo by Stefan Altenburger, courtesy the artist and Hauser & Wirth.

Roni Horn: A Rat Surrendered Here

Roni Horn’s “A RAT SURRENDERED HERE” is on view in Renzo Piano Pavilion of Chateau la Coste in Provence, from July 1 until October 24.

The title of the exhibition is inspired by Emily Dickinson’s poem, which Horn incorporated in an aluminum sculpture from her “Key and Cue” series. The American artist pairs psychoanalytic concepts of ego-splitting with the uncanny. In Horn’s work, death is present both as a literal fact and as a philosophical inquiry into the unknowns of the human condition. The experiential qualities of light, shadow, and reflection in Horn’s work correspond to the mutability of identity and, with it, the unknowability of death. The exhibition includes new glass installations, along with sculpture, photography, and drawing.

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Minjung Kim

THE SPRING ARTIST ISSUE
2023

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On view at Gagosian is “Iconic Avedon: A Centennial Celebration of Richard Avedon” (January 22-March 4) connecting the artist to Paris.
P·P·O·W presents Ann Agee’s third solo exhibition “Madonnas and Hand Warmers” through July 23 2021.

SUBSCRIBE TO NEWSLETTER

Go inside the worlds
of Art, Fashion, Design,
and Lifestyle.