“Assemblage 6: Unlearning,” marks a change in the path of Faye Toogood’s creative journey, in which she attempts to bury all prior knowledge of design rules in order to start from a fresh perspective. In the process, Toogood has adopted a playful lens through which functional furniture items like daybeds, chairs, and sofas take on the look of things produced during a child’s early explorations of their creative instincts. Illusory techniques make the designs appear to be made from materials like crumpled paper, twisted wires, and cardboard boxes when, in reality, each detail has been meticulously constructed from sturdy cast bronze, rough canvas, and wrought iron.
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Named for Abraham Cruzvillegas's essay reminding us that everything is subject to evolution, "The Willfulness of Objects" features a series of works from The Bass's collection.
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THE SPRING ARTIST ISSUE
2023
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Named for Abraham Cruzvillegas's essay reminding us that everything is subject to evolution, "The Willfulness of Objects" features a series of works from The Bass's collection.
The collection of Judy Glickman Lauder at the Norton Museum of Art lends itself to a sweeping narrative of 20th-century photography.
Marian Goodman presents “The Other Side,” an exhibition of photographs by Nan Goldin at the Paris bookshop.
Named for Abraham Cruzvillegas's essay reminding us that everything is subject to evolution, "The Willfulness of Objects" features a series of works from The Bass's collection.
The collection of Judy Glickman Lauder at the Norton Museum of Art lends itself to a sweeping narrative of 20th-century photography.
Marian Goodman presents “The Other Side,” an exhibition of photographs by Nan Goldin at the Paris bookshop.